Colors 2

by Pat Fisher


The power of three. Going to try to write this in the 20 minutes I have to spare today before the Metal Bros Zoom. I am predicting BTBAM Colors 2 will be in 1st place for 2021. The reason I say the power of three: last BTBAM album, Automata (2) was released on or near Deafheaven’s Ordinary Corrupt Human Love and Khemmis’ Desolation. I went with Khemmis for review #1. Obviously BTBAM is better, but I wasn’t thrilled with Automata. This album, Colors 2, was up against Deafheaven again with their Infinite Granite, and also a wild card with Alustrium’s new album, A Monument to Silence. All three are good, but BTBAM won this time by far. I love this album. I always have my criticisms of BTBAM albums because I hold them in my tier 1 of metal bands of all time. Colors 2 was no exception…at first. I remember telling one of the Metal Bros it was too quirky and I needed to get through 10 quirky parts for every one part I liked. But, as with many BTBAM albums, repeat listens are required. I’m talking upwards of 50-100. It was pretty much on repeat for 2 weeks while I was waiting to get placed for student teaching and had massive amounts of free time. No longer (I am finally placed at Ygnacio Valley High School). Colors 2 is much longer than Colors 1, 12 tracks versus 8. Colors 1 was a masterpiece in my mind. It started off really heavy and then turned up the creativity from Sun of Nothing to White Walls. That section of an album is one of my favorite sections of all time. Sun of Nothing, Ants of the Sky, Prequel to the Sequel, and White Walls. Four magnificent tracks. I am not going to say Colors 2 is better than Colors 1 just yet, although that may very well happen for me soon. This album really sank in once I started to read the lyrics.

“I’m not the writer, it’s you.”

“Between the Buried and Me!!! It’s up to reshape this course.”

“A maze created for productivity. For us, for them… We didn’t live. We only existed.”

“Fix the Error” is an absolute blast! That shit went off live in Sacramento.

“Never seen” has that BTBAM catchy heavy opening I always love on first listen. Good to have one of those.

“Life is love. Embrace these memories.”

“Over and over again!” Such a sick finish to Prehistory.

“Sleep on fly on.” One of the many Colors 1 callbacks, so clever BTBAM. New songs, subtle callbacks peppered in throughout the album. Well done.

“Sorry for the last month of bringing you down. My mind is to blame.” hey I can relate to that.

“Open the closed off circle” a reference to the finish of White Walls.

Sfumato callback segway track.

“Human is hell, love is heaven. God is sound and the sound still flows.”

Incredible album BTBAM. 99.99999999999% sure this is the one for album of the year in 2021.

Started student teaching, have a new girlfriend that I am really into. Started surfing more. Started jiu jitsu with Claire. Face a fear for roughly 100:1 benefit:cost. I only have ten minutes and I want to write about fear. Yes, fear sucks. Anxiety sucks. But, the feeling after facing a fear is one of the best feelings for me. If I face a fear for one hour (for example surfing, jiu jitsu, or teaching), and I would estimate that I get anywhere from 10 to 100 hours of peace. I’d love to see some social scientist quantify the cost benefit analysis of fear and confidence. Peace out thanks for reading. Go BTBAM still killing it after 21 years! Thank you!!!

Ok that’s it it is 9:44 and I gotta be in the classroom at 10:03. No time for edits.


Lantlos - Wildhund, by John Fisher

by Pat Fisher


“Wildhund” is a German word for wild dog, which of course made me think of Max, who passed in January 2021. I think about him a lot. His last adventure is the main river spot next to the pad, so I have been praying on the tree stump where he laid down, exhausted from the week’s adventures on his last day. Only a day or two before discovering this album had released (been eyeing it for a few months), I had prayed that I would be reunited once again with Max and that I hoped he was enjoying it up there. The album released a few singles ahead of time, including the great opener Lake Fantasy, and upon full release I noticed the 12 songs ALL stand out on their own. The album has a 90s grunge feel with a metal foundation. I had heard the song Dog in the Wild was pretty solid, and on first pass, I noticed musically that the climax was huge. The lyrics at the climax:

“You RUN! Unaware of your bliss. You’re FREE! Free without knowing. I wish! I could be with you! In the wilderness! And run with you too!

Epic!

Miss ya Max!


Mare Cognitum, Solar Paroxysm

by Pat Fisher


By John Fisher, 7/15/2021

If I am going to be a decent teacher, I am going to need to be a great role model, and I have some things to work on. My narcissism has to subside a bit. My self-righteousness is obnoxious. My preachiness absolutely needs to go. I need to work on taking even the slightest criticism without lashing out ten-fold, and, I need to quit drinking. I quit Metal Bros, and decided to go solo again, mostly because I lashed out for the tiniest little digs and then regretted sending the texts. Of course, I was drinking. Then I started thinking about how many people I have “unleashed” on in the past couple years (at least 5 of which were pretty close to me). I’ve become far too opinionated and set in my ways. I even get mad when I hate a band and somebody else I know likes them, or I love a band and somebody hates them. How ridiculous is that? I need to remember certain sayings that have always proved useful to me, including “live and let live” or “to each his own” or “if you don’t have something nice to say, don’t say it.” Anyway, I clearly have some maturing still to do, and my first step was to text Banner and Ster and suggest a dry July (come to find out they’ve both been anti-alcohol awhile). It’s good to know I’ll have the support of those two dudes going forward. They are both the shit and we made a pact to stick together so now I need to jump on the wagon myself, for real this time. So, dry July, here we go. I am happy to go it alone again on my music search too and I have missed regularly writing reviews.

In other news, I slept in my car last night and got the windows tinted today. The CRV is totally going to work as a car sleeper. I actually kind of prefer it, because (1) I never look at my phone because I don’t want to tip anyone off, so no bright screens right before bed; (2) I sleep well and can just park under the stars in cool places; and (3) I wake up at the crack of dawn because who sleeps in late...in their car? I have a plan in place for August when student teaching in the Bay Area begins (likely Walnut Creek). I am thriving in school and I think I’ve finally found what I am looking for. There were a few voids in my life. One, I did not feel like my career was worthwhile. I have won sales awards, met lifelong friends and colleagues, traveled all over California, earned enough money to be pretty comfortable, and found a career with an incredible work/life balance that allowed me to rediscover my hobbies and afforded me plenty of extra time to spend with my daughter. But, I still felt empty inside with my choice of a career. I think this journey is going to be one of the things I am most proud of at the end of my life. But, my path is my path, and I need to realize this ASAP. 

Which leads me to Mare Cognitum, the new best one-man band for me (just passing Eneferens’ the Bleakness of Our Constant). Mare Cognitum was created by Jacob Buczarski, and in an interview he said, “I just make music that I would want to hear, I suppose.” Well I’m glad you did, sir. You put together a journey to the cosmos with an unrelenting melodic black metal attack. Outside of Terra Requiem, this is full speed ahead, blistering guitars and epic solos behind the constant tremolos and blast beats. It’s rare to see an album get straight to epic metal and stay there for over an hour, continuously keeping the intensity high throughout. If he had somehow been able to cleanly play the programmed drums from this album I might have to throw in the towel for 2021’s little AOTY contest. As great as the drums sound, I am a little old school and I would love to see him bring in a session drummer for the next one. Anyway, this is atmospheric black metal at its finest, with perfectly fitting raspy black harsh vocals, and incredible instrumentation. My favorite track is Luminous Accretion and I love that intro. I think the theme of the album is to highlight the massive destruction of planet Earth and the horrors we will be facing in the near future if things continue on this path. This is one thing worth preaching about, and music is a great way to deliver a message.


Dvne EA, 4/26//2021

by Pat Fisher


I found Elder, Mastodon, and Dvne within the last 5 years, always knowing about Mastodon but not really diving in until later in my 30s. Leviathan and Crack the Skye REALLY opened my eyes to bands like Elder and then Dvne. Asheran blew me away but seemed to bore people I would recommend it to. Asheran still holds a special place for me and was one of the first few reviews I wrote and posted. A lot has changed since that first Dvne review!

I am pretty sure I have yet to write about this before, but in all my years in sales, and especially towards the end, I have been trying to get out of sales. I am grateful for what a sales career has afforded me to this point, but I wrestled constantly with the desire to do something more meaningful. Was I really put on this Earth to be a corporate salesman, working for a company I felt no passion for, for much of my work life? So, I am taking a huge risk, and trying to reinvent myself, as a fucking junior high and high school math teacher! I am stressing pretty hard on passing these CSETs but I think I am on the way to having a chance, but DAMN! This test is not easy. That is goal number one this summer and I have til August 31st to pass em. Next up, selling the Benicia condo that I have come to love during this pandemic. I will always remember it, and Primo and I did a damn good job on the patio garden. It goes on the market this weekend! I may be moving to Oakland in July but will relocate as much as I can to Tahoe in the coming weeks. Claire starts Kindergarten in the fall! Summer of 2021 will go down as the summer of change for me. I’m either going to be on the way to becoming a Math teacher, or if that fails, a Tahoe local and go find some environmental job. Both seem like they would be more rewarding options for me. Tahoe ski season is over and Claire totally can hang now. I am going to love looking back on all those videos and pictures remembering how great the first real season was with Claire on skis! It was also season 1 for Primo and he is already ripping. I can’’t wait to see where the skiing and snowboarding hobby leads. This also marks the beginning of mountain biking season. Solo adventurism+photography+summer+nature+weed+adrenaline+lakes+a technical sport+exercise+freedom….awww yeah it’’s all back for Tahoe MTB season 2!

Anyway, back to Dvne. I think EA flows as a full album but after about 100 listens, I have started to mentally break it into three distinct sections because this is a full 67 minutes with a rare dull moment. (1) The first three tracks are all so strong as “dust falls on the old…BLACKENED!” Wow, what a start. Fans are going to go nuts if they open with that song live. Three minutes after that lyric, and after an incredible first ride, Towers then takes off. Holy shit…these guys know how to pack a heavy punch with what I am going to call their incredibly creative “riff journeys.” Towers gives a nod to the sludge gods for about 90 seconds and then gets down to business. By grooving a full minute with that high hat dominant drum beat, the chorus comes through powerful with the lyric “an undertaking for my kin…we build castles to the sky…flourishing!” Then Dvne introduces a huge breakdown while telling us about the Ziggurats, leading into some truly epic riffs and “as towers reach up to the stars” and the finish to the song (3 minutes of instrumental goodness). There are 7 full tracks on this album all with a distinct sound and so many pleasurable moments and three carefully placed atmospheric segway tracks that add so much to the beautifully spacey feel of the album (see Asphodel). Section (2) includes Omega Severer & Si-XIV (both solid) and section (3) the incredible 3 song finish of (Mleccha+Asphodel) + Satuya (checks the box for a finisher to an all time metal album). EA offers so much, just sit back and listen. Escape into another world with DVNE! They are one of those rare bands that can take a listener elsewhere.

Anyway, thanks for reading this, and I wish you ALL the best!


Lor, Edge of Eternity (Max)

by Pat Fisher


Max was born on January 10, 2009.

At least that’s what I decided. I got him in mid-March at about 9 weeks from a breeder in Ojai, California, named Andre Pinkerell. I subtracted 9 weeks from the day I drove him home to settle on a birthday of January 10th.

I always told myself, that as soon as I could, I was getting a German Shepherd. My best friend Dustin had an awesome Shepherd named Chopper. All of us loved Chopper. He was insanely good at fetch. We would set up impossible courses to see if Chopper would get the toy we threw for him. He always found a way! I lived at Dustin’s Mom’s house and rented a room for about 6 months to a year or so. Pat and Brett lived there too. I would take Chopper out on the skateboard and holy shit he was strong! He even attacked Max the pup when we introduced them. Chopper was such a beast and the first dog I loved!

I had done some research to find the breeder and everything checked out. I told Andre I wanted a male Shepherd and he said he had one and that this puppy had a great temperament. I drove out there in my Scion TC. I spoke with Andre and he said that this puppy who he had named Yasko vom Paukenschlag was the only one in the litter. Yasko had no brothers or sisters! When I first saw him I fell in love instantly. He was so calm. I remember driving him home. He was so tiny and just sheepishly stared at me the whole drive from Ojai to Camarillo. He was probably thinking, “who the hell is this guy and where are we going?” I still hadn’t picked out a name for him. 

When I got home in the evening I was still wearing my work clothes from when I worked at SAGE. My roommate Greg was home and the first to see him. We introduced Max to Cali, Jeff’s chocolate lab. Greg and I decided on his name together. I remember I suggested Maxwell and then we both really liked Max, so, Yasko became Max on his first night home!

March 2009 was a crazy good time for me. I had just come off a great sales year at SAGE, which led me to throw the “Pay it Forward Poker Tournament,” which went so well that I decided to get the tattoo… and Max. The tattoo could be summed up in an epiphany I had one night, a reminder to myself to simply run with my good ideas. I am so glad that I ended up pulling the trigger on the idea of getting Max too.

Max soon went with me to Thousand Oaks in 2010. I had saved up enough money years prior in a ROTH IRA delivering pizzas (thanks to my Mom for setting me up an account at 17 or so). In 2010 I cashed it out to buy the condo. I was incredibly close with my work colleagues and they threw me a big housewarming party there, and Max became a legend at SAGE. He was a rambunctious teenager and I have vivid memories of him in that condo, towing me on a skateboard down TO Blvd, and he was  almost able to fully scale my 5-6 foot fence. He would scare the neighbor kids so much that they would bring their friends over to walk by my gate. Max would sprint up and spring off the gate and his head would get a full foot or two above the top of the gate, barking like crazy. Nobody ever broke into any place I lived for over 12 years. Max was such a great watchdog.

I ended up winning Sales Rep of the Year for 2011 at Sage. I knew that the commission check was going to be pretty good, so in September 2011, I pulled the trigger early and traded in my 2006 Scion TC for a brand new 2012 Toyota Tacoma quad cab. That was my dream truck. I started financing it at Thousand Oaks Toyota that month with the intention of paying it off once the commission check came in March 2012. That truck ended up being an important but sad part of Max’s life. In December 2011, SAGE offered me a choice for my promotion to field sales, either Florida which was part of my territory already, or Northern California. I remember my boss and good friend Mark convinced me that Northern California made more sense. SAGE paid for me to drive up and find a place, and the only place I could find that would accept Max was in Benicia. I rented out the Thousand Oaks condo, and Max and I packed up the Tacoma and moved to the Bay Area in 2012. Funny story Max nearly got us evicted from that studio apartment!

Max and I went on so many adventures. I hardly knew anyone in the Bay Area and Max helped me so much to go explore. We moved to Walnut Creek in 2012 after 6 months in Benicia. I soon joined CrossFit Walnut Creek and Max would tow me on a skateboard about a mile each way to and from the 5 or 6 pm class, every single weekday and on occasional Saturdays. I would road trip with Max all the time in that Tacoma. He shed so much in the back though that I decided to order one of those T straps that secured Max in the back of the pickup truck. On July 31, 2012, Max almost died. I was toward the end of a long drive from Southern California, near Vasco Road in Livermore where Max must have seen all those cows and made a leap for it. When I’d drive with Max in that truck, he would often lie down where I couldn’t see him in the rear view mirror. I didn’t know he had jumped out. I drove another 30 minutes and I parked at my apartment in Walnut Creek and closed my door. Max wasn’t in the back of the truck, just the horizontal T strap. I was stunned. Immediately I knew he had died. Unless he jumped out on the city streets of Walnut Creek, he would have fallen out going at least 65 mph because I never hit traffic and rarely drive below the speed limit. I called my friend Marissa in a panic. We took turns calling 911, the police, and Animal Control. I decided I needed to retrace my drive and start looking for him. On that drive I got the call. “He is alive! He does not seem to be seriously injured. He is at the Dublin Animal Control.” They were ready to cite me or arrest me when I got there but then I explained to them the strap must have malfunctioned. The Animal control officer said he had seen that once before. I was in tears when I saw Max. His injuries were awful to see up close. But he didn’t break any bones. He lost about 5 teeth and the company who made the strap agreed to pay half his medical expenses. Seemed a total miracle to me to be reunited with Max.

After that, Max was allowed to come with me to the Sage sales meetings. He got approval for Mandalay Bay in Oxnard, ritzy Pasadena, and the Fess Parker in Santa Barbara, before finally blowing it in SB. I would leave him in the hotel room to go to an hour meeting then come back every hour to check on him. Max had serious separation anxiety and was barking while I was gone. My sales director got word of the multiple complaints and said, “ok that’s it. Too many people are jealous you’re the only one who gets to bring a dog and Max is crazy when you’re gone.” Max got exiled from sales meetings going forward but damn we had a great run. 

In 2013 I sold the truck to buy the Concord house. It was an easy decision. I met Cinder and years later we had Claire. Soon after living with Cinder she got Cody and now Max had a good friend in Concord and soon after, Santa Cruz. I took Cody and Max to the dog beach near Steamer’s Lane every day I could and we were lucky enough to be walking distance to that glorious place. I have so many fond memories of that beach with Max and Cody from 2014-2015.

In 2016, Claire was born. Max was so protective of her and so gentle with her from day 1. Claire’s first word? Max!

I left SAGE in 2016 after 9 years. I went into software sales for over 4 years. I ended up as the Regional Manager of the SF Bay Area, and that was why I bought the Benicia condo in June 2020 because Tahoe was too far for both work and civil co-parenting.  I was laid off in November 2020. 

In November 2019, I bought the Tahoe pad with my Mom, and also rented a room in Alameda. Max destroys apartments and even though I could have paid a deposit I decided to leave him in Tahoe on weekdays for what turned out to only be about 4-5 months. My Mom took incredible care of Max during that time. COVID lockdowns hit in March 2020. Thank God we were in Tahoe. We went to the river every day. But I started noticing Max’s legs were going out on him. In heavy snowstorms, Max really struggled to get through the powder. He was almost 12 and finally showing signs of his old age. About 6 months ago it became pretty clear I’d need to say bye soon, but I told my relatives I was going to get Max to age 12. He has what I am 99% sure is called degenerative myelopathy. The only way to know for sure is to conduct tests after they pass, which I decided wasn’t  necessary after watching dozens of videos. He definitely had DM. Unfortunately DM progresses pretty quickly especially for German Shepherds. Despite his body beginning to fail him and his legs getting progressively worse, he NEVER lost it mentally. He was as sharp as ever the whole time which made the decision that much harder. 

On Thursday January 7, 2021, I made a very difficult phone call. Max’s 12th birthday was coming up on Sunday. His legs had gotten so bad that I basically had to carry him places. That Thursday he was peeing dark blood. He had diarrhea seemingly every other time. He would wake up at 4 am every day panicking to go outside and began to have accidents in the house. It was finally time. That Sunday in Tahoe, Mavericks was 35-50 feet on Surfline! I thought “damn it I wish I was in the Bay Area.” On the Monday morning drive from Tahoe back to Benicia, it dawned on me, “I only have 5 days left with Max and I need to give him an epic send off.” I called his final week “Five Adventures with Max.”

On his last day after my Mom, Claire, and Murphy had said their goodbyes earlier at the river, I laid with Max alone for about 2 hours on his dog bed in Tahoe. He was in and out of sleep, but I could tell he loved laying there with me. When I was at the river with him alone earlier, I had looked down and his back right paw was bloody. I looked up to the sky and said to myself God give me a sign that I’m making the right decision. Show me a bear or something. I looked down at my phone and saw a picture of Metal Jesus posted by Angry Metal Guy. That was what I needed. I was carrying Max from the river and my neighbor saw me. She told me of the story of her daughter dying in a horrific skydiving accident in Mexico. We cried and hugged it out in the street before she gave us a ride home.

I set my alarm for 1:45 pm. I reluctantly carried Max to my car. One of the saddest things is that he was still completely there mentally and would’ve easily gone another 6 months, at least. I was unable to set Apple Maps for the ride. No chance in hell I could bear seeing the countdown on the drive to Sierra Veterinary Hospital in South Lake. I stopped at McDonalds and ordered Max a happy meal. The red arrow to pull into the parking lot took forever! I was thinking it would be cool if this thing was broken and permanently red. I’d have more time with him just sitting at the light. I parked in the very first spot, opened the tailgate and fed Max his last hamburger. He refused the bun but chomped down the patty. Didn’t want the fries.

I had kept it together at the vet mostly. The veterinary assistant showed us to the room. Max was tripping as he always hated going to the vet. The vet assistant gave him a muscle relaxer and Max and I got about 20 minutes together. I cried for the millionth time that week. Max had drops falling from his nose and it felt like we were crying together. The actual doctor came in to administer the final two doses. I had lost it by then. This was it. The doctor handed me a Kleenex box. It took a long time for him to go but it was peaceful and there was no struggle. The doctor said, “he has passed and that he had a strong heart, and that I had made the right decision...I’m so sorry for your loss.” I guess based on the strong heart comment that it took much longer than normal. He passed away around 2:45 pm. They gave me as much time as I wanted with his lifeless body. One of the craziest things I have ever seen…after his heart stopped, Max’s right eye was still flickering! I asked him, what’s it like up there? Do your legs work? How’s Big Bop? Is Bear there with you? It was so sad and so epic.

Max died on January 15, 2021.

Lor’s “Edge of Eternity” was the soundtrack to our final week. It is an incredible album and strangely coincidental with the album title.

RIP Max. I love you so much and am really going to miss you.


White Ward, Love Exchange Failure, John Fisher 11/15/2020

by Pat Fisher


To write honestly and make it interesting to read, that is the goal. This hobby provides that outlet for me. I know nobody reads this shit, but who cares. It is more important to be able to capture a moment in time for my own enjoyment and nostalgia. I had recommended Numenorean last month (found them on a MOL related artists search). One of those bands led me to White Ward again. I considered Futility Report a few years ago as one of my monthly picks, but I passed. I had heard their latest was good, but again mostly passed on them til recently. So pumped I took them on with a more open mind this time. This album is dark, rewarding, and addictive! It is my album of the year for 2020. Good timing for a depressing album to win out on a crazy year!

There is a crazy global pandemic in its 9th month, thriving right now. Donald Trump just lost the election and is refusing to concede to Joe Biden. I have gone from a moderately successful outside sales rep who would of course loaf at times, to…an individual who is home 24/7, where my prospects are not interested in scheduling pandemic meetings, at all! Obviously, visitors are not allowed into those cushy HQ corporate boardrooms I finally became comfortable with after all these years! Wear a dress shirt, jeans, nice shoes, a blazer, (or a suit) and have fun and be the competent, funny “tech-wanna-be” guy? Easy! Make a few jokes and be honest, mostly. Worked very well for me. Now, wtf. It’s weird, and I miss the old days of software sales. Nine months is actually a long time. Enough time to fully embrace Love Exchange Failure!

There are few references to traditional love here. I don’t see the overarching theme of a “love exchange failure” in the lyrics. I see a lonely male empath shattered by his imagination. He sees and feels atrocities and crimes, but there is no empathy left. “I delegate my weaknesses to you…I wish you all the best!” Poisonous Flowers of Violence introduces that riff and runs with it. Dead Heart Confession forced me to google Jeffrey Dahmer. No Cure for Pain has one of the best climaxes on the album. Uncanny Delusions confirms White Ward are the avant-garde black metallers I have been craving in the lonely year which is 2020! And…

The sax and piano weave in and out and totally add to the face melting black metal, providing peaceful transitions, satisfying on their own.

Personal bloggo: I met and voluntarily let an amazing, beautiful momma go. I could tell the timing of the relationship was not right for me and I was resenting what I had. My go it alone phase was thriving before I met her, and I knew I wasn’t ready to let that lonely adventurous lifestyle go just yet. She is an awesome woman and soon some dude is going to be thrilled and ready to give her the attention she deserves. Peace out folks and thanks for any feedback, and go give this one a listen dammit! It’s my album of 2020!

 

 

 

 

 

 


Protest the Hero, Palimpsest, 7/21/20 (JF)

by Pat Fisher


In the lead for album of the year, about to rate this a 9.6 in a couple weeks, and my closest score was an 8.0 leading up to Protest.

Protest is fucking back. My one and only Protest epic album connection was Kezia. “A monument of dicks and ribs, and the gender crown we wore, where underneath a plaque will read…no woman is a whore.” Epic song and lyrics with a flair for the dramatic. That was 2005 and PTH came outta nowhere with their punk metal + progressive lyricism. It didn’t hurt that recently in their band photo for Palimpsest, someone was wearing a Propagandhi shirt! Got my attention…

PTH takes some getting used to. First, with the singer, I had to get over the dramatic My Chemical Romance-y thing and realize, this guy fucking shreds as a lead. Apparently, he almost lost his voice recently and went through some tough times. But…he’s definitely back, and the band is way better than the Kezia days. The first 6 songs secure this album as an album of the year contender, and I highly doubt it’ll be topped. As in common with Kezia, the memorable parts are so distinct. It is great to have such an incredible vocalist driving the memorable parts. I have both loved and hated this band at times, and luckily Palimpsest is part of the former, and this may be the best PTH work yet. So pumped they are back! The Migrant Mother, The Canary, From the Sky, All Hands, The Fireside, the transition from Soliloquy to Reverie, and Rivet are all exemplary. To have 6-7 epic, memorable songs on one album makes this album of the year deserving. 

Can’t wait to see if Haken is up to the task to compete!

 


Caligula's Horse Rise Radiant, JF 7/21/20

by Pat Fisher


You assholes just don’t get it. Caligula’s Horse is so sick and original. In Contact would’ve won album of the year for me and Claire if it didn’t fall upon a Propagandhi year.

“The Tempest” is a perfect opener. “Salt” is incredible! “Oceanrise” is tolerable. And “Autumn” and “The Ascent” will forever be etched in my mind as epic uphill Tahoe mountain biking songs. The covers are great too and “Don’t Give Up” got me through a surprising handful of brutal uphill climbs. I submitted this to Metal Bros…

…and it got slaughtered by basically everyone! Like… nobody rated it above a 4 I couldn’t believe it! It is ferocious and clever! I can only imagine the mainstream songs turned everyone off, maybe Jim Grey? He is an uber talented vocalist, unsure what it is that makes people passionately hate Caligula’s!

 Caligula was a brutal ruler who had a perplexing love for animals, somewhat of an oxymoronic subset of values. Anyway, if you can stomach this album, it offers a tremendous payoff, but apparently I am in the minority, and I will gladly rock this album solo. This was also the album where I went overboard with my bro, and went lame and aggressive in hopes to make an impact. Hopefully “this too will pass.”


Nord The Only Way to Reach the Surface, JF 7/21/20

by Pat Fisher


Aww yes, a blank Word doc. Clean slate. I am going to try and write 3 reviews in 30 minutes, see if it’s possible…it’s 10:30 pm.

I am 3 beers deep, so please forgive the mistakes. I am getting to the point where I am truly happy. Anxiety is a weak foe now. I still care a ton though about personal feedback, that’ll be the next challenge, to not really care what people think, but be cool with it. Getting there. Caligula’s (the next review) was a huge test for me!

But…one of the albums that was well received by the Metal Bros…Nord, released an impressive debut with The Only Way to Reach the Surface. “This town is a coffin…Dreams are the only way to touch your perfections.”

Buckle up for the best French vocalist I can think of. “Love” is such a gentle intro and perfectly placed, as this is, in my opinion, actually an emo album.

Violent Shapes opens up with a blast beat into an epic song setup Segway into “and we’re falling down…you can’t tell me what to do.” Nord shows off in the first track. Nodes of black metal, hardcore, progressive song structure, epic lead vocal sections, and a djenty show off section. And…it’s over! To be honest I am surprised they fit all that into just over 4 minutes.

And, major change into “Circular Haze.” Wow violins into some lounge chill music, did not expect that. Originality is there, and it’s surprisingly not pretentious.

The Unstoppable is a perfect 4th track, finally showing some teeth. The French lead singer shines in this track, not sure if he is also responsible for the screams, but if so, what a diverse palette this guy brings. From “your presence is everything” to “please let me take a breath…” is an album defining vocalist section.

Ok the rest is up to you if you’re interested in continuing on.

 

 

 

 


Elder, Omens

by Pat Fisher


June 13, 2020

John Fisher

Elder!

I am sitting here with what appears to be a dream condo in Benicia, which I bought and closed escrow before seeing. Second home I’ve done that, Jesus I gotta chill. Why do I like taking a few more risks than most people? Unsure. But, if you were to throw me into the group of risk takers, I’m on the conservative end. The home has two flaws. One, it is literally right next to the freeway. Two, I can hear the upstairs neighbors, and they’re a little loud (but they are selling so it’s all good). Anyway, I’m pumped and am relishing in the chance to get the new place setup with a totally clean slate. And as for music reviews, I have not written a review since March’s Intronautilusmile’s Fluid Existential Inversionifications. That was a good album!

Elder released Omens! WTF…a past album of the year band released a new full length? These things only happen maybe once every 2 years! Big album. Big shoes to OUTGROW with Reflections. The Gold&Silver Sessions served as a great in-betweener jam sesh album but wow was I excited for this one!!! I had soooo many epic solitary moments with Reflections of a Floating World. It is going to be a timeless classic and it is in my daughter’s exclusive box of records: my picks every month her first year of life (…plus a couple). So about 15 treasured albums, and then album of the year for 2017 (Propagandhi), 2018 (Elder), and 2019 (Wilderun). That box o’ records is gonna be a very exclusive little music club for us I hope! Elder has definitely thrown their hat in for album of the year for 2020, but I keep thinking it’s not as good as Reflections, but I might be wrong! And once an Elder album sinks its teeth into you, it grows and grows.

There are some epic moments!

Elder teased the album with the first minute or so of the opener, “Omens,” on Instagram. I think I even commented on the post. Said something like, “that sounds sick, can’t wait.” Well…it has arrived, and that same teaser is the opener to the album! Great opening few minutes, then it goes the exploratory route around 4 or 5 minutes in. I have incredible patience with Elder and I don’t afford this same patience to other bands, and I think it is because every moment of their high quality musicianship is intentional. There are peaks and valleys in each Elder song I’ve heard, and this album does not disappoint, but where I keep leaning toward Reflections’ superiority is that Omens tends to give too much weight to occasionally mediocre riffs, where Reflections was so efficient and, in my opinion, not one section of any song warranted criticism. I can’t say the same for Omens, but…it is an incredible album, and “One Light Retreating” continues to be my favorite song for downhill mountain biking.

 

 


Intronaut, Fluid Existential Inversions, JF, 4/17/2020

by Pat Fisher


I absolutely love the intro track. Bombastic and lethargic? Precise and apathetic?

“Going up, just let it melt on your tongue” with the creepy psychedelic fade into…

Cubensis. Whoa, first impression. New drummer SHREDS! He’s a fun drummer to listen to if you have ADHD, basically just constantly showing off doing little tricks here and there. This is where I need to stop and mention something…

It is tough to review musicianship of this level. It is crazy to listen to a band as in sync with each other as the band members of Intronaut seem to be. Every little drum hit reflects what the rest of the band are either doing or about to be doing in setting up for the next sick section.

A few weeks ago I was thinking of one line to sum up this album, and thought of this: “If you like sick HUGE creative riffs, with a unique way of getting to them, and you have a lot of patience, then this album is for you.” One example, with the song “Speaking of Orbs.” Listen to the last 45 seconds of that song on its own. HEAVY sick riff. It took Intronaut over 4 minutes to introduce that beast! Patience rewards the listener over and over on this album. For exhibit B, listen to the last 90 seconds of “Check Your Misfortune.” Why you gotta make me wait 5 minutes for that? Just be patient and respectful of the setups. They are incredible too, original as fuck.

Intronaut is sick, and I will listen to anything they release from here on out. They have all the pieces and potential to be one of my favorite bands. I’d selfishly love to see them nail my style and play some old-Extol like sad parts or some outright melodic shredding just maybe once or twice. I don’t know. I can’t quite put my finger on it, but Intronaut definitely leaves the listener eager for more which I guess is exactly what any band could ask for. I predict their next album is going to be an album of the year contender.

Holy shit it is April 17, 2020 a few weeks into the Coronavirus shutdown! Unprecedented times! I have had the time of my life, no offense. Monday through Friday I am convinced I am going to get the layoff call through work. So…I have come up with a solution. I smoke one J per day. I do not want to have a house where you can smell it though, so I go to the river in the morning, and on a bike ride in the evening. I work when I can, parent mostly. Four-year-olds are a constant ON button. But I am in Tahoe, I cannot and should not be complaining. Life is good. I have a ton of respect for day care and DAMN $800/month (what we pay) seems like such a bargain now.

Thanks for reading, if you have any tips on new albums within the last 2 years that have released, I am all ears, still have not found a monthly pick for April.

 

 

 

 


Purple Mountains

by Pat Fisher


Purple Mountains, self-tiled album

John Fisher

February 28, 2020

Why is it hard to admit that life actually kinda sucks? There are personal, gratifying memories we can all call upon when needed, providing some sort of explanation for why more of us don’t just give up. But let’s be honest, life (outside of college) is mostly a bitch and then we die. This album got the #1 ranking for best indie album on AOTY for last year, so I read some reviews and gave it a good listen. Album is incredible on its own. When you add the somber fact that the singer/songwriter hung himself in Brooklyn (August 7, 2019) a couple weeks after the album was released (July 12, 2019) you start to pay attention to the lyrics.

David Berman seems a total wreck at this point, but it sounds like he could really give a shit. “Well I don’t like talking to myself, but someone’s got to say it, hell, I mean, things have not been going well, it’s time I think I finally fucked myself” is a bold start. It ends with, “the end of all wanting is all I’ve been wanting. And that’s just the way that I feel.” Forget for a minute just how relatable that is, and then remember the dude off’d himself 3 weeks after the song was released.

Second track, “All My Happiness is Gone.” Opening lyric: “Friends are warmer than gold when you’re old… keeping them is harder than you might suppose. Lately I tend to make strangers wherever I go…some of them were once people I was happy to know.” How fucking relatable is that? Wonder if this track has anything to do with his previous drug addiction and literally depleting his serotonin levels or maybe he just intelligently accepted the fact that life sucks. “10,000 afternoons ago…life at first and goal”… an out of fuel Berman reminisces. Incredible song.

My 4 year old kid literally came up to me tonight and said, “daddy put on that SNOW song,” and started singing, “snow, oh, ohhh…” “Snow is Falling in Manhattan” is all time and I can almost guarantee some famous New Yorker will catch on to this one and put it in a movie or something. A nice lead into, “we’re just drinking margaritas at the mall…this happy hour has got us by the balls.” Berman is completely nailing it while we’re denying it.

The album drags a little in the middle but also allows us into what Berman is going through. “She’s Making Friends, I’m turning stranger…” is a great opener. He probably still loves the woman who has moved on. I can’t sit through “I loved Being My Mother’s Son” and always skip this track, but I respect the lyricism, and this is ultimately a final tribute to his late mother, 3 weeks before Berman called it quits himself.

The last 3 tracks are all solid with some incredibly memorable lines. This would be Dylan in his prime. Neil Young in his. Berman’s baritone pairs incredibly well with the masterfully subtle musicianship of Woods, the band he hired for the recording.

Suicide is a totally rational thought, life sucks a lot of the time. RIP to Berman.

Listen to this one in a really chill mood, driving a mountain road solo, walking the dog, getting pulled over…f it, it’s an enjoyable, chill ride. Life sucks and then you die. Accept it. And, bring on Intronaut’s new album for March, came out today and sounds pretty interesting on first listen!

 

 


Alcest, Spiritual Instinct

by Pat Fisher


Alcest, Spiritual Instinct

January 29, 2020 by John Fisher

Kobe and his daughter Gianna died on Sunday. I was driving to Squaw Valley when Adam, then Dustin, Primo, my brother, Nick G and Sean all texted me within a 5 minute span. I was a couple minutes from the epic view of Emerald Bay in Tahoe. At first, the emotions didn’t hit me. I was responding via voice recognition to the texts, not sure what to say at first. Once the back and forth from those initial texts slowed a bit, I had some time to myself on the drive. I started tearing up as I approached Squaw, and for some reason it took about 20 minutes before the full emotions came after it was confirmed that his 13 year old daughter, Gianna, was also with him on the way to her basketball game at Mamba Sports Academy, a game that Kobe was going to coach. On my first gondola ride to the top around 12:45 pm, I was the only one standing, holding my snowboard in a full gondola of seated skiers. I asked whoever was listening, “Did you hear the news?” Only one or two people had heard, and I assume most had probably been skiing all day, oblivious to our never-ending news feeds. I had decided in the parking lot that I was going to snowboard for Kobe that day, and there was one distinct run that day down “Mountain Run” that I think Kobe would have been proud. It was 3.2 miles to the bottom and I pushed it hard. At the tail end of the day, I ordered a veggie burger and a Pabst from The Chalet at the base of Squaw, and as I waited for my burger, I finally checked my news feed. Tears were impossible to fight back. Kobe meant a lot to so many people. It seemed that in retirement, Kobe was approaching a sort of enlightened mental state, still fiercely competitive in his endeavors of storytelling and publishing…his warm embrace of fatherhood to 4 girls, his mentoring of younger NBA players, building the Body Armor sports drink into a formidable rival to Gatorade, and of course his embrace of Lebron James in LA, all done with a big smile on his face. Mamba was a killer on the court and a monk off the court in retirement, and he had so much to offer us outside of basketball. He even won an Oscar! Kobe was about to lead one of the most admirable post NBA lives. The one thing that may serve as a silver lining for me…In this time of divisiveness, we came together to mourn his tragic death. Kobe attacked life and I am going to think about him a lot in my remaining years. I never knew him, but I am going to try to live a life that Kobe would be proud of. RIP Black Mamba. RIP Gianna.

Alcest’s new album is really good. Neige was one of the first musicians I discovered when I finally accepted the genre of shoegaze/blackgaze with Deafheaven’s Sunbather. Alcest is approachable and pleasant. This album is no exception, however, lacks some of the fire and edge I look for. Without a doubt though, Alcest continues to release quality music. The album is written in French with 6 songs totaling about 40 minutes. It can serve as great background music and is great to listen to while snowboarding.

I guess 2020 is off to a sad start, but I think it is important to find the positive in tragedy. Next month I’ll continue to write about death, as my pick for February is Purple Mountains’ self-titled album, which was released less than a month before the lead singer-songwriter committed suicide.  


AOTY 2019

by Pat Fisher


Wilderun, Veil of Imagination

John Fisher, December 12, 2019

My limited vocabulary is about to do a disservice to this album. I will occasionally hear people say I am a great dad, usually via social media from people I haven’t seen in years. It is the compliment I am most proud of, but it’s only a moderately true statement. I basically just make sure my kid isn’t in danger, that’s my rule of thumb as a parent. One thing I think I was blessed with is a peculiarly accurate assessment of my surroundings, with a stoic response, and it translates to parenting very well. I will throw myself in front of a bus for my kid and it’s nice to know I am naturally keenly aware of her safety to know that’ll never be necessary. At the same time, I am VERY hands off as a parent. I have always wanted my kid to be confident. I think one of the best ways to build confidence in someone is to leave them to figure shit out on their own. So I sit back, try to ensure safety, and restrain myself from providing answers. It’s been effective.

            Falls of Rauros was going to be AOTY for 2019, and after Lagwagon’s album review, I was feeling a little burnt out on writing album reviews. I was second guessing the why behind all this writing of mine. But then I decided to succumb to the raving reviews and give Wilderun’s Veil of Imagination a shot. Now I want to write again. Writing is all about honesty and this album is ridiculously good. I talk about my daughter and parenting occasionally, and I am really happy that this whole “give my kid my album of the year” idea surfaced. That’s it. I won’t give away all the secrets. Album of the Year. Have fun with this masterpiece, Veil of Imagination!!!


Lagwagon Railer

by Pat Fisher


Lagwagon, Railer, November 6, 2019, John Fisher

Fat Wreck Chords had the best bands from the critical 90’s era where new school punk dominated. NOFX, Lagwagon, Strung Out, Good Riddance, Propagandhi, No Use for a Name, Face to Face. All on one punk label. They were at peak form when I listened to entirely punk rock from about 8th grade until 10th grade. There were a few other influential punk labels, including of course Epitaph with Ten Foot Pole/Pulley & Pennywise, Nitro Records, with Guttermouth and AFI among others, and even the Christian bands on Tooth & Nail had some pull. But in my opinion, no label came close to what Fat Wreck Chords accomplished. Lagwagon was right up there leading the charge and released 3-4 all time albums in the early to mid 90s, starting with their first three, Duh (’92), Trashed (’94), and Hoss (’95). Double Plaidinum (’97) was sick too. Joey Cape had one of the best voices in punk, they had tons of speed metal influence, and the drummer was all time (especially on Duh- RIP to Derrick Plourde, that guy was so good, committed suicide in 2005). Duh was fast and raw, Hoss and Trashed a little more polished. Double Plaidinum is where Lagwagon “matured,” aka got worse. Let’s Talk About Feelings was good too, even though they had seemingly embraced the mainstream and full Tony Hawk’s Pro Skater mode. Back in the day, Lagwagon was one of those bands you could just play on repeat. They were in the Taylor Steele 90s surf videos, and hailing from Goleta, were a critical influence on SoCal skate and surf culture. (I even lived in Goleta for a year, good times back in like 2001/2002). “Beer Goggles”, “Mr. Coffee”, “Stokin the Neighbors”? Lagwagon was talented, fast, and aggressive and brings me back to early high school parties and skateboarding. I almost wish I could go back to those days, the days where record labels were important and respected, where weekends meant finding keg parties in Socal, and where the bands would give props to all the other punk bands in the thank you section. Instead of finding new music by cheating with an app listing related bands, all I had to do was read the last page on the CD insert where every band thanked about 50 other punk bands. Just doesn’t happen anymore! The CCS and Fat Wreck Chords catalogs were very well received at my house. Here was the progression for me in genres: classic rock (early years), modern rock (4th-7th grade), punk rock (8th-10th), hardcore (sophomore year in high school until college when Clayman came out), metal (2000 on…), with a little hip hop and classic 80s metal thrown in. Lagwagon was incredibly important as a foundational band for me. The old fans of them are going to like this album, just maybe not as much as the first 3 albums. Railer sounds about exactly as you might think when you hear from online reviews that the new album sounds more like old Lagwagon. I was skeptical that it would be as good as any one of those original three, and I was right. There’s no way Lagwagon will ever release another Duh, Hoss, or Trashed. Those albums were released right in the heart of that era and Lagwagon was a young band then (crazy Joey Cape is 52!). I’m sure the kegs in Isla Vista were flowing to early 90s Lagwagon albums and wish I could’ve been in college then. There is not too much I need to write about on this album. It’s a perfect album this month and felt good to get back to my punk roots for at least one review. Joey Cape’s voice sounds exactly the same almost 30 years after Duh came out…I can’t believe it’s been almost 30 years! The songs are fairly straightforward with a return to faster songs and a metal influence. The first track kicks it off well with the opening line, “What’s another word for fuck?” They discuss the insane cost of living in California, have some catchy intros they revisit at the end (“Parable”), talk about the past (“Bubble”), and even the background singer that for the longest time I had always mistakenly thought was the NOFX singer makes a refreshing appearance (pretty sure I’m thinking of Chris Flippin in “The Suffering”). “Pray for Them” is my favorite track on the album, and addresses the ridiculousness of offering “thoughts and prayers” and suggesting a PERSONAL religious belief as some sort of substitute for an actual attempt at a solution. Lagwagon set the bar incredibly high in the 90s, and this album is great, and easy to listen to over and over. It’s not going to top the 90s rippers and that is totally ok. It is beyond worthy of a monthly selection, and if you listen to it 400 times in a row like other Lagwagon albums, you might really enjoy it, and it will undoubtedly lead to some much needed nostalgia and make you want to hit up your old skate/party buddies to grab a beer or try to kickflip the Mission Oaks 4 stair again.

 BIG month for me! The houses I used to pay mortgages on closed in October, and my Mom and I just got the keys to the Tahoe pad last Friday, and it’s fucking paid off! I found an apartment to rent on weekdays in Alameda, and I had to give up Cody to the Alameda animal shelter. It had to be done, as it just wasn’t going to work having 3 dogs with one of them (Cody) being fairly aggressive and putting a burden on my Mom while I was away in the Bay Area most of the week. But this week I cried pretty damn hard to the point where I could barely tell his story to the shelter that will need to find him a home. But, on Wednesdays, I get to break him out of jail for a couple hours and take him for runs, so that’s cool. If you know anyone who wants an incredible dog with a lot of energy, let me know!


Falls of Rauros, Patterns in Mythology

by Pat Fisher


September 27, 2019

 John Fisher

I’m not sure if I like this album too much or not enough. I think it may have overtaken The Flaming Lips for my album of the year, that’s how much I like it. My first impression was that Patterns in Mythology was way too epic, way too grandiose. But…I kept coming back to it. The vinyl is great too because sides A and B both have an intro track. These two tracks, Detournement & Renouvellement (French), roughly translate to “a hijacking” and “a renewal.” In an interview with Decibel Magazine (2019), Aaron Charles (vocals, guitars, lyrics) mentions that songs “generally alternate between offering a ragged optimism and an embittered pessimism” and that the two more optimistic tracks, “Weapons of Refusal” and “Last Empty Tradition” were inspired by the writings of Raoul Vaneigem, a situationist thinker (of which I know nothing about). Much like Propagandhi’s Supporting Caste, there is more to be discovered in these lyrics. I have only recently tried to discover them and I can’t wait to build my own understanding, as Charles also notes that there is some ambiguity in the meaning (“up for interpretation” – gotta love that!). I’m happy to see I at least have a place to start looking for clues.

The songwriting is incredible. The first instrumental track gets right to it with an immediate grandiose build up. Toms, cymbals, and the bass drum are all you need on an intro drum track. I don’t think I heard a snare hit in “Detournement”. “Weapons of Refusal” offers everything I am looking for in a metal song. Kool Aid man bursting through the wall with a crusty thrash death riff opener? Check. Drummer that shreds but supports the band rather than showing off? Check. Epic melodic black metal rippers on guitars that know when to turn on and off the heavy parts? Check. Patience in building into sick transitions and tempo changes? Check. Right when it seems like “Weapons of Refusal” may meander and end worse than it started, Falls of Rauros transition us to the crickets and campfire scene with an acoustic guitar, but without going too far into nature mode. They use this time just perfectly to setup an incredible finish. Masterful guitar solos lead into the lyric “boundless ruin will find your captors…” and a metal goosebumps moment I haven’t experienced since hearing the climax of Khemmis’ “Flesh to Nothing.” At the peak of the epic climax, Falls of Rauros closes with a huge surprise and sad part paired with the inspirational “baring your teeth, wielding the weapons of refusal…” and the repeated yell, “MATCHING THEIR VIOLENCE.” This song makes me want to run a really slow introspective mile or record setting two mile where I sprint the last 400.

All the songs are so good. The end sections are special when paired with reading the lyrics. Listen for that bass intro in “Memory at Night.” This album is by far the most satisfying metal album I’ve heard this year. It may even be better, and approaching instant classic territory.

Oh yeah, my little personal blog. This has been a CRAZY month for me personally! I officially got closure on my long-term relationship with my daughter’s mother after an unbelievable scene that bled into a wild, somewhat scary and unpredictable time in my life (that has since settled down). I’ll refrain from sharing details, but it was not fun to deal with. Also, both of my houses are in escrow! Fingers crossed, but I think I’ll be in Tahoe within a couple weeks. Almost on to the next chapter, but DAMN it has felt like running the gauntlet to get here.


The Flaming Lips, King's Mouth

by Pat Fisher


John Fisher, 8/7/19

Our foundations are important. The Flaming Lips have been a surprisingly constant band in my life ever since that She Don’t use Jelly BS song (the worst song on the album) revealed the closest thing to this era’s Beatles. Transmissions from the Satellite Heart released in 1993! Turn it On, Oh My Pregnant Head, Chewin the Apple of Your Eye, Superhumans, Be My Head, Moth in the Incubator, Plastic Jesus, When Yer Twenty Two, and SLOW NERVE ACTION (arguably the best grunge song of the 90s)…all on one album!!!??? Can you say most underrated album of the 90s? I was 11 when that album released, and 1992, a year earlier, marked one of the first albums I ever bought on a tape (Soundgarden’s Badmotorfinger). THOSE WERE THE GOOD OLD DAYS!

Fast forward almost 30 years since that album was released (not their debut btw) and we have King’s Mouth. In between, TFL have released a few must have albums, which happens to a few choice bands. Yoshimi Battles the Pink Robots, The Soft Bulletin? ABSOLUTE classics right up there with Transmissions. The Flaming Lips are the closest thing to the Beatles for our generation (you know who you are!).

This new one is officially in the lead for album of the year for 2019. On this album, the theme follows a king from birth to afterlife, born as a giant baby with his mother dying in childbirth. The king eventually dies a hero, saving his people, who continued on his spirit by living in his head after death. In “The Sparrow” we are introduced to that distinct Flaming Lips’ sound. Wayne Coyne continues to impress with that voice. TFL nowadays puts its listeners in a trance, but will stop things just enough and introduce a new section at just the right time to keep things interesting, then revert back to pleasantries. The Flaming Lips put out another incredibly pleasant sounding album with this one, and delivered on the requirement for at least one track for the masses, with “All for the Life of the City.” This track is this album’s “Do You Realize.”

Every track is useful in contributing to the whole on this album, an instant classic that is so pleasant to fall into for about 40 minutes. It takes a few listens for the album to sink in, and there are a lot of intricacies to explore. I hope you enjoy this album as much as I have!

 For me, I am thrilled on what is to come! It looks like Tahoe is my next chapter and I can’t wait! To Be Continued…


Baroness, Gold & Grey

by Pat Fisher


Baroness, Gold & Grey, John Fisher, July 12, 2019

I sense some Gang Starr mass appeal here. Baroness is heavy enough for the metal crowd, poppy enough for the mainstream crowd, and they have the songwriting chops that’ll attract the rock crowd (90s grunge had some of the very best songwriting). First thought…I dig this new drummer’s style. Apparently, vocalist John Dyer Baizley is the only remaining founding member, almost died in a tour van accident, puts out some impressive album cover art, and was seemingly one of the nicest dudes based off his comments in between live songs a couple months ago in Berkeley. Good for him. One night I couldn’t sleep again, and put on Late Night w Seth Meyers, and the Baroness drummer was filling in for guest chops that night, like right around the time I was getting ready for the March show. I remember before they announced who he was, I was thinking damn this guy is pretty good. Baroness songs have a tendency to stick in my head, with lyrical parts like you tucked your fingers away in “Seasons,” or that first transition into I’ve got an artificial heart in “Tourniquet.” My impression of Baroness has always been as that solid, approachable metal or rock band depending on where you classify them, mixing the crusty and melodic guitars with the vocalist who matches the band’s style perfectly, and sticky songs with recognizable chorus sections. I saw them live back in March with Deafheaven up in Berkeley and they put on an outstanding live performance. One thing that stuck with me though was when I overheard this dude behind me wearing a Crass denim jacket saying to his friend next to him, “dude if your Mom was here, she would be dancing to this.” I guess that sums up Baroness pretty well. They could probably easily fill a concert bill with Deafheaven, Meshuggah, Thrice, Pennywise, Between the Buried and Me, No Doubt and The Smashing Pumpkins and find appreciative fans. It is a good complete album, and deserves a monthly selection, but at this point after listening for a month, I can’t imagine it winning album of the year for me. But daaammmnnn, Broken Halo is a really good song. The search continues…

As for me, holy shit last week was heavy. Ever since July 3rd, I was thinking I might be out of a job. Today on July 12th one of the 2 big deals I have been working with finally came through after about 7 months. Man, I don’t know how much longer I can deal with the ups and downs of sales. I think it’s a young man’s game… but, I’m still here…fighting!

Seriously if you are reading this, thank you and good luck to you on this weird little existence we have for such a short time. It’s quite an adventure I will say.


Eneferens, The Bleakness of Our Constant

by Pat Fisher


Eneferens, The Bleakness of Our Constant review

By John Fisher, July 2, 2019

The first track, “Leave,” all instrumental, nicely sets the table for The Bleakness of Our Constant. I really enjoy when a metal album begins with a pleasant instrumental. The liner notes read “to those who have experienced trying times, hardship, loss, or feel the struggle in this wandering existence, this record is for you.” This opening track by Eneferens reminds me a bit of Astronoid’s opener to Air, with the track “Incandescent.” Both take about a minute with an opening solo and theme to the song, before the full band is revealed to take pleasure in showing just a little bit of teeth. Both openers effectively set the stage for track 2, and that short pause in between tracks 1 and 2 probably would make for a powerful silence and explosive start to a live show for both bands. Here’s the crazy thing though: Eneferens is only one guy, named Jori Apedaile.

Without question, this is the most talented one-man band out there. I challenge someone to change my mind. The vinyl liner notes read, “Jori Apedaile – all instruments, vocals. Engineered, mixed, and mastered by Jori Apedaile at the Black Lodge Studios. Photography and design also by Jori Apedaile. All tracks copyright Jori Apedaile, 2018.” Insane. One man literally did everything on the album. And some of these songs are all time.

“This Onward Reach” has such a sick first transition in the section “when the sky sank so low, I could feel it then, in the twilight mask…” On first listen, it was too instantly catchy that I went back to the beginning to see what happened. How did it suck me in so quickly? It blasts through another black-metal blasty round and another sick transition with lyrics to match, with “love leaves the body…the light I no longer see illuminates the world around me. I am lost.” It does not end on a positive lyrical note. The tempo changes drastically, and the dark lyrics do not mirror the music. In this case, opposites attract. About 2 minutes in, a heavy-ish section (probably a blast to play drums on live) takes us to some clean-singing, proggy-but-still-metal areas to explore for a while. Damn, Apedaile has a great scream and seemingly fully capable clean singing voice? And…. the classical guitar, flawless and unique little snare fills on drums, bass, piano, lead guitar, probably a flute or something in there …the songwriting too? WTF. In this album’s case, soaring, inspirational songs are paired with dark, depressing lyrics, and it mixes well.

“Amethyst” and “Awake” secure The Bleakness of Our Constant as an album of the year contender. In fact, I cheated this month, and found this album reviewed as Angry Metal Guy’s #2 album of the year last year. That’s a pretty big statement coming from AMG, as they are the best in the business at metal album reviews. The AMG crew casts a wide net in the metalsphere in terms of how diverse an array of metal sub-genres and bands they review. Their material is always well written and even if I can’t get down with a band, AMG has a way of finding the gems out there across the sub-genres. They found one here, and I agree it belonged up there on last year’s album of the year list, and it’ll make for a good contender for me this year.

For me, momma moved out, the Raptors won an NBA title (damn that was a sick NBA season and playoffs), I am under quota at work right now but it’s about to change and I feel like July is going to be the turn-around month. These companies are taking longer than ever to decide and I have a grittier mix of prospects recently, and I hope this is not the new normal. Ster and Banner came up for the US Open at Pebble Beach for the final two rounds. It was an all-time trip, and Pebble is going to be the new bar to try and beat. I think Ster called it on the last day, and rated the weekend a 9.7. Solid score there. I made it up to Tahoe for a summer trip, which was a game-changer for me. Now I’ve got all seasons to visit my family in Tahoe, especially because I can go mountain biking or snowboarding by myself for a few hours on Saturday mornings. I have realized that I get a nice recharge when I am by myself, and I can’t get enough solo time right now. Seriously, snowboarding and mountain biking, alone, is a treat. Out in nature, getting exercise, the adrenaline rush, music, add the incredible views. THC helps for weightlifting in addition to the Tahoe sports. It’s been great working out in the backyard this past month. I have been supplementing with creatine and lifting 4 times a week. My strength numbers are through the roof, but my cardio is weak. I’m going to need to get out on the mountain bike more often. 4th of July coming up, road-trippin to Socal, it’s been too long, coming home for a few days.


To Be Gentle

by Pat Fisher


My older brother Pat has been playing drums off and on since Erich Lenk had that sick setup with the insulated music room at the Anacapa house. Poker, soccer, basketball, baseball, drums, fitness, mountain biking, skateboarding, surfing, snowboarding, art, golf, music, philosophy. It sometimes strikes me at times how lucky I am. I was just thinking that earlier today, driving home after another great weekend in Tahoe, that I was dealt a pretty nice hand in life. And, I have all these above things in common with my older brother? It almost seems unfair to me how good I have it.

 My brother keeps me grounded. If I know I’m lazy with my work ethic or health, he’s one of the people I hide it from. He was able to lead without controlling when we were kids, and offered guidance when needed. He was able to teach me how to skate. Pat is a gifted dude who gets pretty damn good at whatever he puts his mind to, and I think it is because he sets a high standard for things. My brother is the man, and his band just released their debut album. Here’s my review…

 There are some bands that came to mind when listening to this album for a month. There are new school punk influences, 90s hardcore, and screamo, with newer post-rock and possibly even some pop influences. Hopesfall’s The Satellite Years came to mind when I was trying to think of that hardcore band with noodly guitars and epic climaxes (see “Dana Walker” and “The Bending”). The lead singer leads with a traditional screamo yell and counters with a more unorthodox, yelping clean version that makes its very first appearance in the opening line of “All the Things I Was Too Scared to Say,” then reappears for most of “We Build Our Castles in the Air.” His yelp reminds me a bit of Bane’s lead singer Aaron Bedard.

 The album starts off strong. “Understanding Healing” is a satisfying post-rock opener and fits their style well. “All the Things I Was Too Scared to Say” is the first real track and based off the first minute of the album, you might think this is going to be the Yellowcard for the hardcore crowd. This is a fun way to get a hardcore album going. Lyrics can read fairly juvenile on paper and then unexpectedly explode when paired with the music (“I’ll bring you back to where it’s safe and warm!”). I would have liked to hear that section repeated for a second time later in the track, but hey, the listener doesn’t get to call the shots! Unquestionably the happiest sounding track, this is a great start to kick off a debut album.

 The lyrics start to cut deeper in track 3, with the line, “break these chains, feel and grow, precious keepsake, that I call home…” and the song seems to tell the story of a man who has dealt with fear but has found a home, and may have met someone else dealing with some of the same issues. An inspirational picture of throwing fears to the sky while the home builds and strengthens, brick by brick, fear conquered by fear conquered. The home fortifies and comes with it comfort and peace. Unlike “All the Things…” this track does not leave out the exclamation point, and delivers with the climax, “your fear of your failures reminds me of my own and it scares me” all the way to “when I am with you.”

 The final three tracks in some ways mirror the first three. “The Hand That Rests On My Shoulder” provides an interesting take on the introspection of the vegan as an individual thinker. Songs are often memorable because of something other than the music. This song leads with a spoken-word introduction, and later, with about 1:40 left, the spoken word, “we pay for our carnism with our hearts, and with our minds. Because to eat the body of another sentient being, we have to block our awareness, and shut down our ____ (missed it), empathy and awareness are integral to our sense of self. We pay for our carnism with the gap in our consciousness.” This is a very interesting way to introduce a finale. “I see a hope in empathy!!!!!” Powerful stuff.

“One Day We Will No Longer Hurt” is unapologetically heartfelt and communicates the writer’s positive outlook, almost as if he is speaking to himself, providing introspective guidance. The build-up is the standout in this track. A possibly black-metal influenced part comes out of nowhere (“back and forth these thoughts fade in and out”) to serve as the introductory build. Then, the spoken word in the background (this time by the singer) serves as the climax setup. I love the 4x repeat of the lyric, “this is the sound of a love ascending, through my being, my spirit, my everything.” When an album opens and ends with obvious opening and ending tracks, the 2nd and 2nd to last tracks are important, and To Be Gentle nailed the challenge with “All the Things I Was Too Scared to Say” and “One Day We Will No Longer Hurt.”

To Be Gentle has released a very interesting, original debut album. There are some parts on this album I am not sure have ever been done before or yet combined together in such a way. There are sections that I dislike and sections that I love. It is going to be really interesting to see what comes next.